我也来加入批白牡丹的行列---关于沈丰英的表演

看完整个上半场的演出,杜丽娘的表演实在是。。。
白先勇曾经强调这位杜丽娘的眼神是多么的有韵味,我只能说,我看不出她有任何的眼神。游园惊梦里,该亮出眼神的地方全都看不到:青山,杜鹃,荼蘼。。。沈丰英永远都是一样的表情,只能说她是个木美人。这一点,我觉得连钱熠都比她好,钱熠的某些眼神还是很有大家闺秀的神采的。
惊梦里的表演也是一样,给我的感觉是,这位杜丽娘见到梦中人的时候好像并无惊喜,两个人只是程式化的对视而全无内容。
关于身段,我实在是难以忍受其中无数的如芭蕾舞般的挺胸动作。。。感觉很怪,这是昆曲的表演又不是现代舞。待我以后再详细评论其中的身段设计。
还有沈丰英的水袖好像也该多练练,几个翻水袖的动作离"行云流水”还有十万八千里。
唯一值得赞赏的是沈丰英的台步走的不错,圆场的时候,只看到裙子的前后两片翻飞,颇有莲步生花的感觉。

--郑敏

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The Kunqu Society

Founded in 1988 and incorporated in 1989, the Kunqu Society is dedicated to the study, promotion and preservation of Kunqu, a genre of Chinese theatre proclaimed as “Masterpiece of the Oral and Intangible Heritage of Humanity” by the United Nations Educational, Scientific and Cultural Organization (UNESCO) in 2001. The mission of the Society is four-fold: (1) To present Kunqu performances and give educational lecture/demonstrations in order to increase awareness of and introduce new audiences to Kunqu; (2) To offer low-cost Kunqu classes to the general public; (3) To provide opportunities for Kunqu artists to showcase, maintain and sharpen their performing skills and to teach and pass on the Kunqu art; and, (4) To produce and maintain written and audio/visual materials about Kunqu (newsletters, CDs and tapes) for the purposes of documentation and preservation.